Wednesday, May 6, 2020
Epistolary Novels and Mimetic Devices - 1256 Words
CHAPTER FIVE: Epistolary Novels And Mimetic Devices We have seen how the use of mimetic devices contributed to Still Alice and Turn of Mind. In Chapter FIVE I explore the possibility of using Facebook, (a twenty first century mode of communication), as a mimetic device to augment conventional prose fiction. In this chapter I want to show how mimetic devices such as letters, bank statements and reports have already been used in epistolary fiction so that I can consider their use as models for my own work. I touch briefly on the history of the use of mimetic devices in the epistolary novel and go on to discuss how mimetic devices in So Much For That , House Mother Normal and Flowers for Algernon allow us to hear different voices and create texture. In SMFT chapters are headed with a bank statement showing how illness drains peopleââ¬â¢s savings. In HMN, each character is preceded by a clinical report which includes their cognitive ability. FFA uses a diary or ââ¬Å"progris reportâ⬠to tell the story. I discuss how these mimetic devices contribute to the story. In the 18th century, letter writing took on great importance as a new mode of communication. (Studying the Novel 2001) In Pamela by Richardson, letters between Pamela and her family are used to tell the story of Pamelaââ¬â¢s resistance to seduction by her employer. The reader is puzzled by the sudden cessation of Pamelaââ¬â¢s familyââ¬â¢s replies to her letters, only to find that this is because Pamelaââ¬â¢s employer has insisted onShow MoreRelatedHumanities11870 Words à |à 48 PagesImpressionism and Post Impressionism. National Gallery of Art. Abbeville Press Publishers, New York. MAJOR AREAS OF ART ~Literary Arts Are those presented in the written mode and intended to be read.à These include prose and poetry.à (e.g. novels, short stories, sonnet, ballad, epic, essay) ~Visual Art Are those forms perceived by the eyes.à These include painting, sculpture,à andà architectureà ~Audio Visual Art à à à à Are those forms perceived by both ears (audio) and
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